The bulging veins, the spatters of blood, the loose skin – he is an absolute master of the flesh. It is this keen eye for detail that makes McMillen such a talented artist of the monstrous. The art style is at once both impressively refined in its attention to detail, and yet also utterly horrifying.
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As puerile and misogynistic as Cunt might seem, it certainly bears all the hallmarks of a McMillen game, as well as the McMillen sense of humour. This game’s snappy title is Cunt, a game which sees the player take control of a penis which rotates about the screen, shooting some rather suspect projectiles at a ginormous cartoon vagina in the centre.
The origin of McMillan’s career can perhaps be traced back to a wildly provocative flash game, produced as an affront to anyone who dared try to tell its developer what he could or couldn’t create. So, why are we looking at a game released, at the time of writing, an entire six years ago, and on Halloween no less? Well, McMillen’s own brand of cartoonish grotesquery undoubtedly played a huge part in the great success of his games, which whilst not explicitly categorised as horror titles, certainly display enough of the monstrous and horrifying to deserve a Halloween homage.
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